Mozart in the Ballroom: Minuet‐Trio Contrast and the Aristocracy in Self‐Portrait

Mozart in the Ballroom: Minuet‐Trio Contrast and the Aristocracy in Self‐Portrait

Source :

• Music Analysis [ 0262-5245 ] ; 2005-10.

English descriptors

• Teeft :
  • Accompaniment, Accompaniment circumscribe, Accompaniment texture, Active presence, Aesthetic forces, Aesthetic qualities, Aesthetics, Ancien regime, Aristocratic behaviour, Aristocratic power, Artful, Artful carelessness, Artful simplicity, Artful variation, Articulative variation, Artless, Artless simplicity, Auxiliary progression, Auxiliary progressions, Ballroom, Ballroom dance floor, Ballroom floor, Ballroom minuet trios, Ballroom minuets, Ballroom trios, Bass line, Bass lines, Bassoon, Blackwell, Blackwell publishing, Body motions, Broude brothers, Cambridge university press, Capo, Capo blackwell publishing, Capo music analysis, Carnival salzburg, Carnival season, Characterised, Characteristic feature, Clear hypermetre, Collective experience, Consistent hypermetre, Contrary motion, Contredanse, Court dances, Crotchet, Crotchet motion, Crowd noise, Dance floor, Dance halls, Dance notation, Dance orchestra, Dancing masters, December, December vienna, Deutsche, Deutscher, Downbeat, Duet, Early music, Eighteenth century, Eighth minuet, Elegant simplicity, Entire dance, Eric, Eric mckee, Eric mckee table, February, Fewer bass notes, First bassoon, First half, First minuet, First violin, Fourth minuet, Full orchestra, Functional bass, Functional dance music, Functional minuets, Further improvement, Gentle twists, Georg olms, Habsburg monarchy, Harmonic rhythm, Historical authority, Historical icon, Hogarth, Hypermetre, Imperial ballrooms, Imperial palace, Individual couple, Inner composure, Interior space, January, Johann, Kellom diagram, Landler, Large leaps, Large redoutensaal, Large rooms, Last year, Late minuets, Lower strings, Majestic music, March rhythms, Mckee, Melodic, Melodic duets, Mental attitude, Menuet, Menuet ordinaire, Menuets, Menuetto, Metrical, Metrical level, Metrical organisation, Metrical structure, Metrical unit, Michael kelly, Minuet, Minuet dance, Minuet dancers, Minuet dancing, Minuet form, Minuet movements, Minuet music, Minuet trios, Motivic fabric, Mozart, Music analysis, Musical motion, Natural beauty, Natural grace, Nicolas lancret, Ninth minuet, Noble simplicity, Oboe, Opening motive, Opening phrase, Other dances, Other hand, Other words, Parallel thirds, Pendragon press, Perfect cadence, Philosophical enquiry, Physical exertion, Political associations, Political power, Powerful music, Predictable range, Progression, Publishing, Quaver, Redoutensale, Redoutensale minuets, Registral transfers, Rhythmic pattern, Robbins landon, Royal ball, Salzburg, Second half, Second minuet, Second minuets, Second quavers, Second reprise, Second violin, Second violins, Serpentine, Serpentine line, Serpentine lines, Single genre, Sixth minuet, Social context, Social status, Sparse bass line, Square feet, Staccato articulation, Standard practice, Standard succession, Sudden angles, Third minuet, Timpani, Tomlinson, Tonal motion, Tonic, Treatise, Trio, Trio music, True test, Undulating curves, Upper voices, Vienna february, Viennese, Viennese ballroom, Viennese ballroom minuets, Wendy hilton.

Abstract

• https://api.istex.fr/ark:/67375/WNG-HF9B3D8D-Z/fulltext.pdf

Affiliations:

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